Sci-fi Greats! Earth Versus the Flying Saucers. Ray Harryhausen masterpiece. Complete with robotic aliens, ray gun fights, and giant saucers!
I would be remiss if I didn't publish Wikipedia's take on this fine movie. If you haven't seen the trailer or movie yet, they're both posted in my Videos blog here!
Enjoy this tour de force of cool sci-fi movies.
Earth vs. the Flying Saucers From Wikipedia, the free encyclopedia
Earth vs. the Flying Saucers Theatrical release poster
Directed by Fred F. Sears Produced by Charles H. Schneer
Sam Katzman Written by Curt Siodmak
George Worthing Yates
Raymond T. Marcus Based on Flying Saucers from Outer Space
by Donald Keyhoe Starring Hugh Marlowe
Joan Taylor Music by Mischa Bakaleinikoff Cinematography Fred Jackman Jr. Edited by Danny B. Landres Production
Distributed by Columbia Pictures Release dates
83 minutes Country United States Language English Box office $1,250,000 (US rentals) Earth vs. the Flying Saucers (also known as Invasion of the Flying Saucers, Flying Saucers from Outer Space, and Invasion of the Flying Saucers) is a 1956 American black-and-white science fiction film from Columbia Pictures, produced by Charles H. Schneer and Sam Katzman, directed by Fred F. Sears, and starring Hugh Marlowe and Joan Taylor.
The film's storyline was suggested by the bestselling, non-fiction book Flying Saucers from Outer Space by Maj. Donald Keyhoe.
The stop-motion animation special effects in the film were created by Ray Harryhausen.
Plot Scientist Dr. Russell Marvin (Hugh Marlowe) and his new bride Carol (Joan Taylor) are driving to work when a flying saucer appears overhead. Without proof of the encounter, other than a tape recording of the ship's sound, Dr. Marvin is hesitant to notify his superiors. He is in charge of Project Skyhook, an American space program that has already launched 10 research satellites into orbit. General Hanley (Morris Ankrum), Carol's father, informs Marvin that many of the satellites have since crashed. Marvin admits that he has lost contact with all of them and privately suspects alien involvement. The Marvins then witness the 11th falling from the sky shortly after launch.
When a saucer lands at Skyhook the next day, soldiers open fire, killing one exposed alien, while others and the saucer itself are being protected by a force field. The aliens then kill everyone at the facility but the Marvins; General Hanley is captured and taken away in the saucer. Now too late, Russell discovers and decodes a message on his tape recording from the aliens: they wanted to meet with Dr. Marvin and had landed in peace at Skyhook for that purpose. Now impatient to conduct that meeting because everything has gone sideways, Marvin contacts the aliens and steals away to meet them, followed closely by Carol and Major Huglin (Donald Curtis). They and a pursuing motorcycle cop are taken aboard a saucer, where they learn that the aliens have extracted knowledge directly from the General's brain; he is now under their control. They claim to be the last of their species and have destroyed all the launched satellites, fearing them as weapons. As proof of their power, the aliens then give Dr. Marvin the coordinates of a naval destroyer that opened fire on them, and which they have since destroyed; the Marvins are then released with the message that the aliens want to meet the world's leaders in 56 days in Washington, D.C., to negotiate an alien occupation.
Dr. Marvin's later observations uncover the fact that the aliens' protective suits are made of solidified electricity, and grant them advanced auditory perception. From other observations, Marvin develops a counter-weapon against their flying saucers, which he then later successfully tests against a single saucer. After doing so, as they escape, the aliens jettison Gen. Hanley and the motor cycle cop; both fall to their deaths. Groups of alien saucers then attack Washington, Paris, London, and Moscow but are destroyed by Dr. Marvin's sonic weapon. The defenders also discover that the aliens can be easily killed by simple small arms gunfire once they are outside the force fields of their saucers.
With the alien threat eliminated, Dr. Marvin and Carol quietly celebrate the victory by going back to their favorite beach, resuming their lives as a newly wed couple.
Production Visual effects Special effects expert Ray Harryhausen animated the film's flying saucers using stop-motion animation. Harryhausen also animated the falling masonry when saucers crash into various government buildings and monuments in order to make the action appear realistic. Some figure animation was used to show the aliens emerging from the saucers. A considerable amount of stock footage was also used, notably scenes during the invasion that showed batteries of U. S. 90 mm M3 guns and an early missile launch. Stock footage of the destruction of the warship HMS Barham during World War II was used for the U. S. Navy destroyer that is sunk by a flying saucer. Satellite launch depictions made use of stock film images from a Viking rocket launch and a failure of a German V-2 rocket.
The voice of the aliens was produced from a recording made by Paul Frees (uncredited) reading their lines and then hand-jiggling the speed control of an analog reel-to-reel tape recorder, so that it continually wavered from a slow bass voice to one that is high and fast.
During a question-and-answer period at a tribute to Ray Harryhausen and a screening of Jason and the Argonauts held in Sydney, Australia, Harryhausen said he sought advice from noted 1950s UFO "contactee" George Adamski on the depiction of the flying saucers used in the film. He also noted that Adamski appeared to have grown increasingly paranoid by that time. The film's iconic flying saucer design (a static central cabin with an outer rotating ring with slotted vanes) matches descriptions given to Maj. Donald Keyhoe of flying disc sightings in his best-selling flying saucer book.
Reception Earth vs. the Flying Saucers was well received by audiences and critics alike, with Variety noting that the special effects were the real stars of the film. "This exploitation programmer does a satisfactory job of entertaining in the science-fiction class. The technical effects created by Ray Harryhausen come off excellently in the Charles H. Schneer production, adding the required out-of-this-world visual touch to the screenplay, taken from a screen story by Curt Siodmak, suggested by Major Donald E. Keyhoe’s Flying Saucers from Outer Space." 
Earth vs. the Flying Saucers has reached an iconic status in that many films in the "flying saucer" subgenre that followed, imitated and incorporated many of the elements established by Ray Harryhausen. In an article for The New York Times film reviewer Hal Erickson noted that, "Anyone who's seen the 1996 science-fiction lampoon Mars Attacks may have trouble watching Earth vs. the Flying Saucers with a straight face." The later campy film could be seen as an homage to the era, especially to the contributions made by Earth vs. the Flying Saucers.
Legacy Several films have recycled stock footage from the film, including The Giant Claw and The 27th Day (1957), an episode of the Twilight Zone (1985) and the short Flying Saucer Daffy (1958).
The Return of Tarzan From Wikipedia, the free encyclopedia This article includes a list of references, related reading or external links, but its sources remain unclear because it lacks inline citations. Please improve this article by introducing more precise citations. (February 2014) This article relies largely or entirely upon a single source. Relevant discussion may be found on the talk page. Please help improve this article by introducing citations to additional sources. (February 2014) The Return of Tarzan Dust-jacket illustration of The Return of Tarzan by N.C. Wyeth Author Edgar Rice Burroughs Illustrator J. Allen St. John Country United States Language English Series Tarzan series Genre Adventure novel Publisher A. C. McClurg Publication date 1913 Media type Print (Hardback) Pages 365 pp OCLC 12570090 Preceded by Tarzan of the Apes Followed by The Beasts of Tarzan The Return of Tarzan is a novel written by Edgar Rice Burroughs, the second in his series of books about the title character Tarzan. It was first published in the pulp magazine New Story Magazine in the issues for June through December 1913; the first book edition was published in 1915 by A. C. McClurg.
Miraculously, Tarzan manages to swim to shore, and finds himself in the coastal jungle where he was brought up by the apes. He soon rescues and befriends a native warrior, Busuli of the Waziri, and is adopted into the Waziri tribe. After defeating a raid on their village by ivory raiders he becomes their chief. The Waziri know of a lost city deep in the jungle, from which they have obtained their golden ornaments. Tarzan has them take him there, but is captured by its inhabitants, a race of beast-like men, and condemned to be sacrificed to their sun god. To his surprise, the priestess to perform the sacrifice is a beautiful woman, who speaks the ape language he learned as a child. She tells him she is La, high priestess of the lost city of Opar. When the ceremony is fortuitously interrupted, she hides him and promises to lead him to freedom. But the ape man escapes on his own, locates the treasure chamber, and manages to rejoin the Waziri.
Meanwhile, Hazel Strong has reached Cape Town, where she encounters Jane, and her father Professor Porter, together with Jane's fiancé, Tarzan's cousin William Cecil Clayton. They are all invited on a cruise up the west coast of Africa aboard the Lady Alice, the yacht of Lord Tennington, another friend. Rokoff, now using the alias of M. Thuran, ingratiates himself with the party and is also invited along. The Lady Alice breaks down and sinks, forcing the passengers and crew into the lifeboats. The one containing Jane, Clayton, and "Thuran" is separated from the others and suffers terrible privations. Coincidentally, the boat finally makes shore in the same general area that Tarzan did. The three construct a rude shelter and eke out an existence of near starvation for some weeks until Jane and Clayton are surprised in the forest by a lion. Clayton loses Jane's respect by cowering in fear before the beast instead of defending her. But they are not attacked, and discover the lion dead, speared by an unknown hand. Their hidden savior is in fact Tarzan, who leaves without revealing himself.
Later Jane is kidnapped and taken to Opar by a party of beast-men pursuing Tarzan. The ape man tracks them and manages to save her from being sacrificed by La. La is crushed by Tarzan's rejection of her for Jane. Escaping Opar, Tarzan returns with Jane to the coast, happy in the discovery that she loves him and is free to marry him. They find Clayton, abandoned by "Thuran" and dying of a fever. In his last moments he atones to Jane by revealing Tarzan's true identity as Lord Greystoke, having previously discovered the truth but concealed it. Tarzan and Jane make their way up the coast to the former's boyhood cabin, where they encounter the remainder of the castaways of the Lady Alice, safe and sound after having been recovered by Tarzan's friend D'Arnot in another ship. "Thuran" is exposed as Rokoff and arrested. Tarzan weds Jane and Tennington weds Hazel in a double ceremony performed by Professor Porter, who had been ordained a minister in his youth. Then they all set sail for civilization, taking along the treasure Tarzan had found in Opar.
Film, TV or theatrical adaptations Burroughs' novel was the basis of two movies, the silent films The Revenge of Tarzan (1920) and The Adventures of Tarzan (1921), based on the first and second parts of the book, respectively. The first film starred Gene Pollar as the ape man, and the second Elmo Lincoln, the original movie Tarzan.
Comic adaptations The book has been adapted into comic form on a number of occasions, both in the original Tarzan comic strip and comic books. Notable adaptations include those of Gold Key Comics in Tarzan no. 156, dated November 1966 (script by Gaylord DuBois, art by Russ Manning), of DC Comics in Tarzan nos. 219-223, dated April–September 1973, and of Dynamite Entertainment in Lord of the Jungle nos. 9-14, dated 2012-2013.
Opar developed by Philip José Farmer Science fiction writer and Burroughs enthusiast Philip José Farmer later took up the city of Opar, as appearing in this and later Tarzan novels, and wrote the novels Hadon of Ancient Opar (1974) and Flight to Opar (1976), depicting the city in its full glory many thousands of years in the past.
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